Archive for June, 2008

R.I.P. GEORGE CARLIN 1937-2008

The IRT mourns the loss of a true giant of comedy this morning. News item courtesy of the New York Times.
June 23, 2008, 7:08AM
Legendary standup comedian George Carlin dead

George Carlin, the Grammy-Award winning standup comedian and actor who was hailed for his irreverent social commentary, poignant observations of the absurdities of everyday life and language, and groundbreaking routines like Seven Words You Can Never Use on Television, died in Los Angeles on Sunday, according to his publicist, Jeff Abraham. He was 71.Abraham said Carlin went into St. John’s Hospital on Sunday afternoon, complaining of chest pain. Carlin died at 5:55 p.m. PDT.The cause of death was heart failure, according to Abraham.

“He was a genius and I will miss him dearly,'’ Jack Burns, who was the other half of a comedy duo with Carlin in the early 1960s, told The Associated Press.

Carlin began his standup comedy act in the late 1950s and made his first television solo guest appearance on The Merv Griffin Show in 1965. At that time, he was primarily known for his clever wordplay and reminiscences of his Irish working-class upbringing in New York.

But from the outset there were indications of an anti-establishment edge to his comedy. Initially, it surfaced in the witty patter of a host of offbeat characters like the wacky sportscaster Biff Barf and the hippy-dippy weatherman Al Sleet. “The weather was dominated by a large Canadian low, which is not to be confused with a Mexican high. Tonight’s forecast . . . dark, continued mostly dark tonight turning to widely scattered light in the morning.”

Carlin released his first comedy album, Take-Offs and Put-Ons, to rave reviews in 1967. He also dabbled in acting, winning a recurring part as Marlo Thomas’ theatrical agent in the sitcom That Girl (1966-67) and a supporting role in the movie With Six You Get Egg-Roll, released in 1968.

By the end of the decade, he was one of America’s best known comedians. He made more than 80 major TV appearances during that time, including the Ed Sullivan Show and Johnny Carson’s Tonight Show; he was also regularly featured at major nightclubs in New York and Las Vegas.

That early success and celebrity, however, was as dinky and hollow as a gratuitous pratfall to Carlin. “I was entertaining the fathers and the mothers of the people I sympathized with, and in some cases associated with, and whose point of view I shared,” he recalled later, as quoted in the book Going Too Far by Tony Hendra, which was published in 1987. “I was a traitor, in so many words. I was living a lie.”

In 1970, Carlin discarded his suit, tie, and clean-cut image as well as the relatively conventional material that had catapulted him to the top. Carlin reinvented himself, emerging with a beard, long hair, jeans and a routine that, according to one critic, was steeped in “drugs and bawdy language.” There was an immediate backlash. The Frontier Hotel in Las Vegas terminated his three-year contract, and, months later, he was advised to leave town when an angry mob threatened him at the Lake Geneva Playboy Club. Afterward, he temporarily abandoned the nightclub circuit and began appearing at coffee houses, folk clubs and colleges where he found a younger, hipper audience that was more attuned to both his new image and his material.

By 1972, when he released his second album, FM & AM, his star was again on the rise. The album, which won a Grammy Award as best comedy recording, combined older material on the “AM” side with bolder, more acerbic routines on the “FM” side. Among the more controversial cuts was a routine euphemistically entitled “Shoot,” in which Carlin explored the etymology and common usage of the popular idiom for excrement. The bit was part of the comic’s longer routine “Seven Words That Can Never Be Said on Television,” which appeared on his third album Class Clown, also released in 1972.

“There are some words you can say part of the time. Most of the time ‘ass’ is all right on television,” Carlin noted in his introduction to the then controversial monologue. “You can say, well, ‘You’ve made a perfect ass of yourself tonight.’ You can use ass in a religious sense, if you happen to be the redeemer riding into town on one — perfectly all right.”

The material seems innocuous by today’s standards, but it caused an uproar when broadcast on the New York radio station WBAI in the early seventies. The station was censured and fined by the FCC. And in 1978, their ruling was supported by the Supreme Court, which Time magazine reported, “upheld an FCC ban on ‘offensive material’ during hours when children are in the audience.”

“So my name is a footnote in American legal history, which I’m perversely kind of proud of,'’ he told The Associated Press earlier this year.

Carlin released a half dozen comedy albums during the ’70s, including the million-record sellers Class Clown, Occupation: Foole (1973) and An Evening With Wally Lando (1975). He was chosen to host the first episode of the late-night comedy show Saturday Night Live in 1975. And two years later, he found the perfect platform for his brand of acerbic, cerebral, sometimes off-color standup humor in the fledgling, less restricted world of cable television.

By 1977, when his first HBO comedy special, George Carlin at USC was aired, he was recognized as one of the era’s most influential comedians. In the years following his 1977 cable debut, Carlin was nominated for a half dozen Grammy awards and received CableAces awards for best stand-up comedy special for George Carlin: Doin’ It Again (1990) and George Carlin: Jammin’ (1992). He also won his second Grammy for the album Jammin’ in 1994.

He produced 23 comedy albums, 14 HBO specials, three books, a couple of TV shows and appeared in several movies, from his own comedy specials to Bill and Ted’s Excellent Adventure in 1989 - a testament to his range from cerebral satire and cultural commentary to downright silliness (and sometimes hitting all points in one stroke).

“Why do they lock gas station bathrooms?'’ he once mused. “Are they afraid someone will clean them?'’

Carlin was born on May 12, 1937, and grew up in the Morningside Heights section of Manhattan, raised by a single mother. After dropping out of high school in the ninth grade, he joined the Air Force in 1954. He received three court-martials and numerous disciplinary punishments, according to his official Web site.

While in the Air Force he started working as an off-base disc jockey at a radio station in Shreveport, La., and after receiving a general discharge in 1957, took an announcing job at WEZE in Boston.

“Fired after three months for driving mobile news van to New York to buy pot,'’ his Web site says.

From there he went on to a job on the night shift as a deejay at a radio station in Fort Worth. Carlin also worked variety of temporary jobs including a carnival organist and a marketing director for a peanut brittle.

In 1960, he left with Burns, a Texas radio buddy, for Hollywood to pursue a nightclub career as comedy team Burns & Carlin. He left with $300, but his first break came just months later when the duo appeared on Jack Paar’s Tonight Show.

Carlin said he hoped to would emulate his childhood hero, Danny Kaye, the kindly, rubber-faced comedian who ruled over the decade that Carlin grew up in - the 1950s - with a clever but gentle humor reflective of its times.

Only problem was, it didn’t work for him, and they broke up by 1962.

Carlin lost the buttoned-up look, favoring the beard, ponytail and all-black attire for which he came to be known.

But even with his decidedly adult-comedy bent, Carlin never lost his childlike sense of mischief, even voicing kid-friendly projects like episodes of the TV show Thomas the Tank Engine and Friends and the spacey Volkswagen bus Fillmore in the 2006 Pixar hit Cars.

During the course of his career, Carlin overcame numerous personal trials. His early arrests for obscenity (all of which were dismissed) and struggle to overcome his self-described “heavy drug use” were the most publicized. But in the ’80s he also weathered serious tax problems, a heart attack and two open heart surgeries. His greatest setback was the loss of his wife, Brenda Hosbrook, who died in 1997. They had been married for 36 years. Carlin is survived by wife, Sally Wade; daughter Kelly Carlin McCall; son-in-law, Bob McCall; older brother, Patrick Carlin; sister-in-law, Marlene Carlin and long time manager, business partner and best friend Jerold Hamza.

The Associated Press contributed to this report.

RADIOHEAD The Best of (Special Edition) (Capitol-EMI)

Sure, it may have been perceived to be a shady move on the part of Capitol to release this compilation not even a year after Radiohead jumped ship to revolutionize the way artists put out their new material to fans, but I’d be lying if I said it wasn’t good. In fact, its an absolute perfect collection of the band’s finest moments on wax strung together to create the ultimate Radiohead double-album where “My Iron Lung” and “There There” segue together as if they were on the same track listing all along. Even the otherwise dreadful “Anyone Can Play Guitar” from their 1993 debut toss-off Pablo Honey is tolerable when sandwiched between “You” and “How To Disappear Completely”. And the DVD containing all of the videos Radiohead had filmed during their time on Capitol is a must-own and a most warranted expansion of 1998’s 7 Television Commercials DVD to include all of the videos from their 1992-2003 EMI-based arc. But as the arguments over the necessity of this best-of continue to be waged on blogs the world over, because Radiohead albums should be listened to as whole entities, thus not warranting any kind of anthologizing that would split up the precious children, those fans who do not treat their music like some kind of weird religion will find this set to be a satisfying mixtape with better packaging. –Ed.

Disc 1
1. Just
2. Paranoid Android
3. Karma Police
4. Creep
5. No Surprises
6. High and Dry
7. My Iron Lung
8. There There
9. Lucky
10. Optimistic
11. Fake Plastic Trees
12. Idioteque
13. 2+2 = 5
14. The Bends
15. Pyramid Song
16. Street Spirit (Fade Out)
17. Everything In Its Right Place

Disc 2
1. Airbag
2. I Might Be Wrong
3. Go To Sleep
4. Let Down
5. Planet Telex
6. Exit Music (For A Film)
7. The National Anthem
8. Knives Out
9. Talk Show Host
10. You
11. Anyone Can Play Guitar
12. How To Disappear Completely
13. True Love Waits [recorded live in Oslo, 2001; previously released on I Might Be Wrong: Live Recordings]

R.I.P. BO DIDDLEY 1928-2008

From Billboard.com:
Rock Legend Bo Diddley Dies At 79

Bo Diddley
June 02, 2008, 12:50 PM ET
Jonathan Cohen, N.Y.

Rock legend Bo Diddley died this morning (June 2) of heart failure in Archer, Fla., according to his spokesperson. He was 79. Diddley suffered a stroke last spring and had a heart attack last August, from which he never fully recovered.

Since then, he was undergoing rehabilitation near his Florida home. Funeral services are being planned for this weekend, with details to be announced.

Born Ellas Otha Bates McDaniel on Dec. 30, 1928, in McComb, Miss., Diddley holds the distinction of being the only musician in history to have a specific musical beat, or rhythmic pattern, named after him. The “Bo Diddley beat” blends equal parts rock’n'roll rhythm and gospel shout in its “bomp, ba-bomp-bomp, bomp-bomp” pattern, which became an enduring staple of popular music. His songs, a tasteful blend of blues and R&B elements, were among the earliest true rock’n'roll recordings.

Diddley was an early advocate of fuzzy, distorted guitar sounds. They perfectly complimented his frenetic songs, which played on a homemade square guitar while decked out in dark sunglasses and a black hat. Similarly, his rhythmic, boastful vocal style predated rap by several decades.

Buddy Holly borrowed Diddley’s beat for his hit song “Not Fade Away,” and the Rolling Stones’ version of that song, with its unmistakable nod to Diddley, became the band’s first major British hit single.

In 1983, he had a memorable cameo as a pawn shop clerk in the comedy “Trading Places,” and in 1989, he was introduced to a new generation of fans when he appeared with sports star Bo Jackson in a humorous TV ad campaign for Nike athletic shoes.

Although Diddley toured regularly into his late 70s, his recorded output for the past 30-plus years has been sparse, save for a late ’80s live album with Rolling Stones guitarist Ronnie Wood.